Monday Mixtape, Vol. 11

Good morning, Monday! Today is a short week for most, and hopefully all are planning on barbecuing and celebrating the 4th with a few beers with friends. So happy soon to be 4th of July.

The first track of this week's mixtape, "Alright," was performed by Kendrick Lamar as the opening act of last night's BET Music Awards. Lamar stood atop a graffiti-laced cop car and spit out a ferociously technical song on live TV. Listen to this song and the wordplay, speed, and execution of his delivery: "Now tell my momma I love her / but this what I like, Lord knows / 20 of 'em in my Chevy / tell 'em all to come and get me / Reapin' everything I sow / so my karma come / And heaven no preliminary hearing, so my record / I'm a motherfuckin' gangster in silence for the record." The whole track is the epitome of Lamar's ability to spit. Another interesting tidbit is the hook is sung by Pharrell. I thought the song was an interesting choice for Lamar to play to the primarily black audience as he sung along with Pharrell's backing vocals, "Do you hear me? Do you feel me? We gon' be alright."

Trails and Ways hails right over the bridge from me in Berkeley, California. If you like this song, I highly recommend their album. The female singer and some of the songs remind me a bit of another band, Alpine, who released a great album in 2014 and a new one this year as well (which I have yet to listen to!).

Gengahr - NO IDEA how to pronounce that - released their album recently, and "She's a Witch," stood out to me from all the other tracks. The only comparable I can think of is Of Montreal's "Bassem Sabry:"

Both weird songs, both oddly catchy. 

I wrote about Will Joseph Cook's EP already, but I am really digging this song and have been listening to it more than any other song over the past week, so it's gotta make the mixtape!

Twin Peaks sounds like they're recording their music in a garage while their friends jump around, drinking beers, and the band has to just keep getting louder because their friends progressively get drunker. It's raw, unpolished rock.

De Lux is is like the hideous menage trois music-child of LCD Soundsystem, Hot Chip, and Talking Heads. "Irish people hate me / Hippies don't love me." This is not all true, I'm cool with you guys!

Listen to this EP - Will Joseph Cook - You Jump I Run

Will Joseph Cook doesn't have a ton in the blogosphere about him yet, but he released an EP in April, You Jump I Run, that has a songwriter's simplicity that reminds me of Angus Stone while also having the pop and sonic sensibilities of another group I love, Minus the Bear. He looks like a young Cillian Murphy, so who knows what this guy has in store because he could either be the next guitar-wielding pop star (as "Streets of Paris" would indicate) with a real sense of musicianship, or he could go down the indie road of rejection and/or respectability (as "Daisy Chains" could indicate).

"Daisy Chains," probably my favorite track from his EP, builds upon itself through the first minute and then really starts going around the 1:15 mark. "Oh, you got it, you got it good," Cook proclaims on the first chorus as he reminds the listener there's something worthwhile here.

His other great track, "Message," is another track that starts in its shell, peeks out, reverts back and then grows into its own. The lyrics follow the rhythm as Cook confusedly wants to love when he knows it's not there. "I feel like following / following my heart again...The sweetest little things / I can't stomach the things my memory sings."   

There's a pace to this EP that just feels natural. It's not rushed, and Cook sounds like he's getting used to himself. I look forward to see wherever he takes this. 

30 Seconds to Mars Documentary

I recently watched a documentary, Artifact, that followed the band 30 Seconds to Mars as they tried to make an album, This Is War, while its record label, EMI, sued the band for $30 million for a breach of its contract after the band was pissed at EMI for failing to pay them their royalties. I thought the documentary was an incredibly enlightening depiction of the record industry, and a big label trying to wrap its grubby paws around as many bands as possible, sucking all life and creative energy out of these individuals while taking any and all money in its path in the name of legalese. There's a great part where Jared Leto gets legal advice for about one minute on his cell phone, hangs up, then forgets to ask how much it cost, wondering if the band even has the money to pay the lawyer for that one minute.  

Despite what my initial impressions were of Jared Leto (and more accurately: the celebrity machine that follows him), he comes off as incredibly likable and driven by his passion for music and art. After watching this, I really have a lot of respect for the guy. He is a very talented and blessed individual to be able to provide so many people a degree of happiness in music, TV, and film. I can also say from experience that he flies coach! 

This documentary got me thinking about the long lost idea of bands "selling out." Once people started stealing all of these artist's music, selling out was no longer called out because it was hypocritical to call someone out for wanting money as people picked their pockets. So bands turned to different forms of music that may have a broader appeal with the masses. Then advertising began to take advantage of this movement as bands' songs began to be featured in commercials, movies, TV, and so forth. The people in these bands have to make a living somehow and as evidenced in the 30 Seconds to Mars documentary, it's clearly not in album sales (save for the Katy Perry's and Taylor Swift's of the world). This is their livelihood. I read an interesting take from an advertising executive who had previously been in a rock band who bluntly stated that artists' distrust of record labels has brought a transparency to brands. While the brand plays their songs in their ads, the hope is the artist at least understands how these brands are using their songs. As I watched Artifact, this quote (TANGENT: which I came across because I was reading a bunch of David Carr's articles after his death - this article is hilarious and seems to encapsulate Carr as he goes to SXSW and is amazed at the degree music and brands have become somewhat of a packaged product), although somewhat depressing, spoke volumes to the state of music right now (and that being said - please go support bands at live venues!!):    

"The willingness of artists to partner with brands happened because revenues dried up from physical discs,” Peter Gannon from an advertising agency said. “The labels are not going to get a lot of sympathy because they were not very good to artists. At least when a brand is involved, there is an understanding that we are borrowing the cachet that the artist has built and we try to make high-quality projects that give value to both the client and the artist.”

Monday Mixtape, Vol. 10

There are very, very few artists who are able to jump around genres and sounds, whirling different tunes that sound nothing like its predecessors. This is why we love Beck and why musicians respect the hell out of him (well, except for Kanye). This is why he can make an album as chill as Morning Phase (my sixth favorite album of 2014), and then follow that up with a song that sounds NOTHING like that album, a total change of direction into an instantly likable song like "Dreams." I just respect the hell out of this guy.  

Meg Mac's "Roll Up Your Sleeves" is your classic piano ballad. A few slow chords sustain throughout as the claps and faint bass drum keep the beat alive. The song hits its climax at 1:28 as the snare and another piano come rolling in as Ms. Mac shows some range. It's definitely got a bit of an Adele feel that I'm digging.

"Indian Summer" reminds me of most tracks from Odesza with the high pitched sample vocal repeating over all sorts of synths and other electronic elements. 

I love weird songs. There's an originality to them because they're so strange and don't particularly sound like anything else. With that said, Kero Kero Bonito is a British pop artist specializing in the J-pop (Japanese Pop) sound who slices in both English and Japanese words as a ridiculous production (or, a sick beat some may say) upgrades the song. The first time I heard this song, it felt like the Super Mario 3 soundtrack just visited Albuquerque for a quick fix. This song is out there!

To pour one out for the artist formerly known as Rick Ross (as he has lost something like 100 pounds!), I wanted to include this slow jam with Drake. Not sure he can call himself "the Don" anymore since he's under 250, but glad to see the man's taking his health seriously! 

I spoke about Seoul in my last mixtape, and this track has been playing on repeat for me. Laid back groove, laid back voice. Just sit back and relax.

Have a good week!

Playlist - Stop, Drop, Electro Pop, Volumes 1, 2, 3, and 4

I have gotten some great feedback from people regarding my two most recent Electro-Pop mixes. This genre of music just puts a smile on my face. It's upbeat and very energetic which almost always lines up with something fun, whether you're hosting a party, getting ready to go out for the night, or working out. It works in so many different situations.

I wanted to just put all of my Electro-Pop Spotify playlists right here to access. Obviously, each Volume goes in chronological order of when I made it, but that being said, I think Volume 1 is my favorite. It has some serious JAMS that need no introduction. Perfect for a party.

Stop, Drop, Electro-Pop, Vol. 1

Volume 2 is a little bit more experimental and adventurous, not as straight up catchy as my other volumes, but I think one gripe about Electro-Pop is that it all sounds the same, but I think this mix shows the abilities of really talented musicians (like Toro y Moi, Gardens & Villa, and Bear In Heaven) to make these types of songs sound original. The first track by Jakwob really sets the tempo. I love when the drums come in at 0:50 and then later at 2:32 when she just goes off. Beautiful song. Hopefully, many of the tracks on here you may have not heard before, like Totally Enormous Extinct Dinosaurs or Lanu, their tracks kill!

Stop, Drop, Electro-Pop, Vol. 2

Both Volume 3 and Volume 4 I've written about, but I just wanted to include them here as well! 

Stop, Drop, Electro-Pop, Vol. 3

Stop, Drop, Electro-Pop, Vol. 4

Album Review - A$AP Rocky - At.Long.Last.A$AP

If A$AP Rocky’s first album was fogged in codeine and cough syrup and chopped up like his influences down South, his new album is a hazey dream on doper hallucinogenics searching for substance. In what is a surprising display of restraint and patience for an artist on a second album, A$AP’s record drifts along while I slowly visualize the world he sees. The world as described isn't all that interesting, but the music sure as hell is.

Read More

Monday Mixtape, Vol. 9

The Weeknd has always had an original voice and a unique sound, so I was thrown for a bit of a loop that his vocals sound so much like Michael Jackson on "I Can't Feel My Face." It's apparent with each note that he's in a range or tone he hasn't hit before, but I imagine this one could be a big hit. Definitely deserves the first track on the mixtape!

I couldn't really get into Unknown Mortal Orchestra's new album, but this song has all these different elements, from the weird Wild West-sounding start, to the funky rhythm, to Ruban Nielson's delicate vocals.  

Hopefully you remember "Polish Girl," and if not, please listen to this immediately:

(Side note: If you really like this track, check out my Stop, Drop, Electro-Pop, Vol. 1 playlist, which is a totally kick ass set of electro-pop jams which I made back in 2012 (so yeah, the tracks may be a bit old but they're still awesome). Does anything beat the start to "Shuffle???":

A playlist within a playlist?? So meta.)

Back to the story at hand, Neon Indian has been out of the spotlight for a bit (his last album was in 2011), but he's dropped his first single, "Annie," which many are hoping will lead to a new album!

Cheerleader, a band from Philly who just released their debut album, is in the pop rock genre similar to a band like Walk the Moon. These loud pop songs with distortion always seem to get me!

I stumbled upon Seoul somehow, and I placed the first and second track back to back because the first track slowly sets up a perfect transition into the second song, the catchy but sedate "The Line." Just listen to how well it flows! So cool. I have a thing for first tracks that intentionally bleed into the second, as I've spoken about with The Maccabees and Bombay Bicycle Club.

Florence Welch has a voice that commands respect. There aren't many making music with vocals like hers. She sounds like she's screaming from the top of a mountain for the world to hear while hitting notes mere mortals could barely even play on a piano. "What Kind of Man," is a Florence lashing out against a lover who she can't seem to leave, and she sounds pretty pissed about it. Can't wait to see her live at OSL!

5 Faves - Tame Impala

Parker dropped a few interesting tidbits, including:

  • Michael Jackson is his favorite artist ever;
  • Parker and the band were pretty drunk at their Coachella set (which I got to see), and he says he started drinking right after the show "to wash away the sorrow" of what he thought was a poor performance. For the record, I thoroughly enjoyed it, but not nearly as much as their ACL set or show at The Fox last year;
  • Currents was written entirely on tour and is the kind of album Parker thought "indie snobs would turn up their nose at." The truth is now Parker has hit that Messiah Complex where everything he does will be loved by critics because he's made so much flawless music, so when he shifts gears and goes a bit poppier, all is forgiven because he's a genius. We'll see what I think of the new album, I will definitely have a review!
  • "Let It Happen" is basically about evolving as a person and musician, from his introverted ways as a musician on his first two albums to what he describes as being more extroverted these days;
Read More